Author: Marilyn F. Friedman
Publisher: Bauer and Dean Publishers
A valuable resource for design professionals and historians, this book chronicles the evolution of modern interior design in the United States throughout the 1930s. With more than 200 images and detailed descriptions, design historian Marilyn F. Friedman presents more than eighty interiors by forty-five designers, including Donald Deskey, Paul T. Frankl, Percival Goodman, Frederick Kiesler, William Lescaze, William Muschenheim Tommi Parzinger, Gilbert Rohde, Eugene Schoen, Kem Weber, set designers Cedric Gibbons and Joseph Urban, and industrial designers Raymond Loewy, Walter Dorwin Teague, and Russel Wright. The book also highlights the work of women modernists who are practically unknown today, including Virginia Conner, Freda Diamond, Eleanor Le Maire, and Madame Majeska. Interiors cover the economic spectrum, from those created for wealthy patrons who embraced the modernist aesthetic, including Walter Annenberg, George Vanderbilt III, William Paley, and Abby Rockefeller Milton, to those designed with affordability in mind, including private commissions, as well as furniture and model rooms for manufacturers, design associations, and museum exhibitions. The book also profiles in detail entire model homes that highlighted new concepts in design and construction, such as Norman Bel Geddes¿ House of Tomorrow for Ladies¿ Home Journal, Macy¿s ¿Forward House,¿ Frederick Kiesler¿s ¿Space House¿ for the Modernage showroom, Eleanor Le Maire¿s ¿House of Planes¿ for Abraham & Straus, and the model houses at the 1933 and 1939 world¿s fairs held in Chicago and New York, respectively. The trajectory of American modern design during the 1930s was not linear. In rejecting the revivalism that had defined American design during the nineteenth century, the designers covered in this book forged something new-an American movement defined by simplicity, practicality, and comfort that embraced experimentation and variation in materials and style. An important survey of the early development of modern interiors in America, year by year.
Author: Ingrid Cranfield
Publisher: David & Charles Publishers
Discover how to recreate and restore authentic period architecture, furnishings and detailing in the Art Deco style. The elegant and sophisticated style known as Art Deco epitomises for many the inter-war years of the 1920s and 1930s. Although not strictly a style of architecture, but a surface decoration, its clean lines and stylized, symmetrical forms nonetheless influenced the design of buildings throughout the world, greatly assisted by the new industrial materials of stainless steel and ferro-concrete. Interiors followed suit, featuring chrome for the first time, as well as brightly coloured enamels, glass and polished stone. Furniture, too, adopted the streamlined look, to which the mass-produced tubular steel of the 1930s was ideally suited. Art Deco transcended class as no other style had done previously. It united architecture (both public and domestic), decorative arts and the cheapest consumer goods. Today, as a result of the building boom of the 1920s and 1930s, more people probably live in a house built in this period than in any other. Although Art Deco House Style is primarily for those who wish to restore their homes to their original style, it is also a comprehensive reference book for devotees wishing to expand their knowledge of the movement. Lavishly illustrated chapters cover every aspect of the home, including furniture, fabrics and decorative detail, and throughout there is discussion of the leading designers of the period. Filled with practical advice and sources of materials, as well as much additional related information, this masterful work is an invaluable guide to the maintenance and renovation of Art Deco homes.
Author: Patricia Bayer
Publisher: Thames & Hudson
By the time of the great Paris Exhibition of 1925, the idea that an interior and its furnishings should form a complete design--a "total look"--dominated the thinking of both designers and their sophisticated clients. In the later 1920s and 1930s, whole studios were established, notably in France and the United States, to serve the needs of a design- and style-conscious middle class intent on showing off its newly refined taste for things modern and exotic: the richly lacquered screen, the tubular steel chair, the vivid geometric carpet. Art Deco Interiors documents this flourishing of design ingenuity in Europe and America. Using contemporary photographs and illustrations of interiors, juxtaposed with modern photographs of individual pieces, it traces the stylistic evolution and dominant motifs of Deco. Patricia Bayer illustrates the triumph of the 1925 exhibition and the establishment of the pure high style of the leading Paris ensembliers, and assesses the tremendous growth of jazzy, Streamline Moderne offshoots in the United States. Major chapters are devoted to large-scale designs for ocean liners, cinemas, theaters, offices, and hotels, and to the revival in the 1970s and 1980s of Deco as a decorative style.
Author: Greg Stevenson
Publisher: Shire Publications
The 1930s home presented an exciting new way of living for the generation that moved out to the suburbs. Young couples who had previously rented accommodation in urban centers found themselves able to afford new-build homes with hot running water, a bathroom indoors, and even aerials for the wireless already installed. Some four million houses were erected, and interest in interior home decoration boomed. This fully illustrated book introduces the homes that people fell in love with in the 1930s, and the fixtures and fittings that went in them. It is not only a practical and valuable companion for people who own or wish to renovate an inter-war house, but will also appeal to all those interested in period design.
Author: Chazen Museum of Art, Joann Skrypzak, Barbara Copeland Buenger, Elvehjem Museum of Art
Publisher: Chazen Museum of Art
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkst�tte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for the Chazen Museum of Art, University of Wisconsin–Madison
Author: Robert W. Rydell, Laura Burd Schiavo
In the midst of the Great Depression, America's World's Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future of progress. This book celebrates the influence and impact of these international expositions.
Author: Kristina Wilson
Publisher: Yc British Art
"During the years of the Great Depression in America, modernist designers developed products and lifestyle concepts intended for middle-class, not elite, consumers. In this fascinating book, [the author] coins the term 'livable modernism' to describe this school of design. Livable modernism combined international style functional efficiency and sophistication with a respect for American consumers' desires for physical and psychological comfort, paving the way for the work of Charles and Ray Eames and other post-World War II designers. [The author] offers a new view of modernist furnishings marketed for middle-class living rooms, dining rooms, and bedrooms of the 1930s, and provides groundbreaking analyses of many of the most popular items, including George Sakier's stemware for the Fostoria Glass Company, Russel Wrights' American modern furniture for Macy's, and Gilbert Rohde's clocks for the Herman Miller Clock Company. As the first study of the marketing of modern design during the Depression years, [this book] features an extensive array of vintage advertisements from such magazines as 'Better Homes and Gardens', 'House Beautiful', 'Ladies' Home Journal', and the 'Saturday Evening Post'. [The author] discusses the relation of modernism to the cultural and economic climate of the Depression and examines the sophisticated marketing strategies of the movement that coincided with a period of tremendous growth for print magazines and the advertising industry. Filled with fresh insights into a fascinating period in American modern design, this book provides an important new look at these designers' and design companies' philosophies, innovations, and influence that until now have been under-appreciated"--Bookjacket.
Author: Tim Bergfelder, Sue Harris, Sarah Street
Publisher: Amsterdam University Press
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Author: Caricature Carvers of America
Publisher: Schiffer Pub Limited
From an auto repair shop at one end of the street to a movie theater and a building under construction at the other, this book depicts downtown USA during the Great Depression, through the eyes of 29 of North America's top caricature carvers. The Caricature Carvers of America (CCA) present the 1930s street scene, complete with 11 buildings and over 100 original caricature carvings. In their newest project, CCA members offer their approach to developing ideas, building models, carving, painting, and finishing techniques through photos, patterns, and text. The book includes a step-by-step chapter on carving a piece from the scene as well as patterns and details for many of the original carvings.
Author: John Hitchcox
Gathering together the world's most celebrated interior designers under the yoo brand, this inspirational book showcases interior designs from the cutting-edge masters at the forefront of innovation in the way we live today - Philippe Starck, Marcel Wanders, Jade Jagger and Tom Bartlett, and Kelly Hoppen. With their expertise in creating bespoke environments for their clients, the yoo team imparts ideas about how to create an interior that is right for you, using the themes each of their designers has developed. Each theme shows how the furniture, products, wall and floor treatments, colour schemes and so on work together to create the overall ?palette', with case-study examples. Includes over 20 interior design projects from residences worldwide, as well as feature pages and interviews with each celebrity designer.
Author: Maureen Footer
Publisher: Rizzoli International Publications
The history of interior design is punctuated by a few legends-Billy Baldwin, Sister Parish-and should include trailblazing decorator George Stacey. When George Stacey shot to prominence in the 1930s with projects for socialite Frances Cheney and style priestess Diana Vreeland, the audacity of his work caught the eye of Vogue, Harper's Bazaar, Town and Country, and House & Garden. An appealing nonchalance and irreverence, combined with erudition, a flair for color, and an innate grasp of balance, scale, and proportion, produced rooms that were surprising as well as sophisticated. Balancing modern aesthetics and modern living with a lifelong passion for French classicism ensured that Stacey designs were both of the moment and enduring. For the next forty years, he deftly produced a string of stylish rooms for his stylish clientele. While the ground rules of Stacey's approach remained constant, he captured the nuances of mood and culture of an exceptionally dynamic era and established a design vocabulary that defined American chic in the American century and that endures, glitteringly, to this day.
Author: Lucy D. Rosenfeld
Publisher: Schiffer Pub Limited
Art Deco brings to mind a glamorous era of brilliant architecture, striking interior design, elegant furniture, and superb objets d'art. The term evokes an era of the 1920s and 1930s that prized elegant design elements combined with exotic materials, subtle colors, and the finest workmanship. This amply illustrated survey traces the origins of Deco interiors in Europe and follows its American transformation, with concepts of beauty in design expanded to include stream-lined and machine-made interpretations. Many of the most beloved buildings and their interior spaces in America's cities were Deco-inspired. But Art Deco is not just an historic term. As we see in this full color book, a number of today's designers are incorporating Deco elements into contemporary settings. Here, both interiors and furniture exemplify the sinuous lines and geometric shapes of Deco as part of today's interiors. A visual feast, this book will inspire and inform.
Author: Henry Delacroix
Publisher: Courier Dover Publications
This rare 1935 portfolio of full-color plates presents interpretations by many designers and interior architects of the effects of Art Deco modernism. Includes sleek designs for every kind of living space.
Author: Mark Hinchman, Elyssa Yoneda
Interior Design Masters contains 300 biographical entries of people who have significantly impacted design. They are the people, historical and contemporary, that students and practitioners should know. Coverage starts in the late Renaissance, with a focus on the twentieth and twenty-first centuries. The book has five sections, with the entries alphabetical in each, so it can serve as a history textbook and a reference guide. The seventeeth- and eighteenth-century section covers figures from Thomas Chippendale to Horace Walpole. The nineteenth-century section includes William Morris and Candace Wheeler. The early twentieth-century section presents modernism’s design heroes, including Marcel Breuer, Eileen Gray, and Gilbert Rohde. The post-World War II designers range from Madeleine Castaing to Raymond Loewy. The final contemporary section includes Ron Arad and the Bouroullec brothers. These are the canonical figures who belong to any design history. The book also contains less well-known figures who deserve attention, such as Betty Joel, the British art deco furniture designer; Paul Veysseyre, the Frenchman active in China in the 1930s; and more recently Lanzavecchia-Wai, the Italian-Singaporean duo whose work ranges from health care to helicopters. Global in its coverage, the book is richly illustrated with over 600 black-and-white and color photographs.
Author: Anne Bony
Publisher: Flammarion-Pere Castor
Three hundred full-color photographs highlight a detailed study of the radical furniture designs and interiors of the 1960s, capturing the work of such noted designers as Harry Bertoia, Wendell Castle, Estelle Lavergne, Ray and Charles Eames, and others who experimented with bold new textures, materials, and design trends.